Small Abstractions

Slide

2023
7"X 5"
Watercolor, ink, collage on paper.

Shuttered

2023
9 X 6"
Watercolor, ink, paste paper, collage on canvas.

Orb

2023
9 X 6.5"
Watercolor, ink, collage
on canvas.

Anonymous Sidekicks.

2023
9 X 6"
Watercolor, ink, collage on paper.

Disregarded Cautionary Tale

2023
9"X 6"
Watercolor, ink, collage on paper.

We/They

2023
7"X 5"
Acrylic, watercolor, collage on canvas.

Interlocking

2023
7"X 5"
Acrylic, collage on canvas.

Down Into the Ground

2023
7"X 5"
Acrylic, collage on canvas.

Acceleration

2023
7"X 5"
Acrylic, collage on canvas.

Out/Inside

2024
10 X 6.5"
Collage

Enveloped

2023
10 X 8
Acrylic, paste paper, collage on paper

Jesus Anoints the Beanstalk

2022
18 X 12"
Watercolor, scratched ink, collage on paper.

Assemblage

Objects sometimes communicate their history, that, combined with imagery, tells a story. A frying pan, cookie sheet, fungus clump, shredded bark, an envelope and a prescription insert directed my thoughts to create the following work for Imploding Meaning, curated by Monica Church, at

Vassar College's Palmer Gallery.

Uncle Jimmy, Waitin' for Bacon.

1989
Cast iron frying pan, wooden sculpture carved by James Dowds, metal findings from a jewelry factory and found image.

No Sweets for the Sweating

2022
Collaged upon cookie sheet

Crudely Bound

2022
Sewn collage with envelope, map of early NYC, images of snakes, butterfly and fertility Goddess

Polarized

2022
Accordion folded prescription insert for bi-polar medication, pinned to imagery of ballerina, snakes, jewels, and burkas.

Ancestral Familiar

2022
Acrylic, papers, photo of Aunt Eva? Marie? Doris? Helen?, fungus clump.

Celestial Grounding

2022
Birch bark collaged upon by image of foot and mushrooms.

Published Work

Conceived of and produced by Andrea Burgay, is a participatory, collaborative collage magazine of visual call and response. Each issue presents a curated selection of original collage, and features a curatorial call for the next issue.

911

Issue 8: Guided by Instinct
2021
10.25 X 8.25"

Feathering the Empty Nest

Issue 9: Scars and All
2022
10.25 X 8.25"
Birch bark, Audubon print, Botanical print from The Garden at Eichstätt by unknown artist, embroidery floss, and Nest, by Rosie Schinners, from Cut Me Up Magazine, Issue 8

Frolicking Incarnations

Issue 9: Scars and All
2022
10.25 X 8.25
Watercolor, National Geographic scrap, The Omnivore's Dilemma, by Laurent Sejan and
Dando's Dogs by Scott Neff, both from Cut Me Up Magazine, Issue 8.

Jump

Issue 10: Reconnect
2023
27 X 16" (without door)
Watercolor , tissue paper, stickers, It's Sew Me, By Janet Gold, cut into the shape of the silhouette from Conscious Liberation by Paola D'Croz from Cut Me Up Issue 9, hung by clothes hanger on nail in old door.

Pas de Trois

Issue 12: Eros
2023
10.25 X 8.25"
Reproduction of Hellenistic Satyr sculpture, 2nd century, Whistling and Trumpeter Swans, by Audubon, collaged over Michael Oatman's entry from Issue 10.